UCCELLO, Paolo
Italian Early Renaissance Painter, 1397-1475 Italian painter, draughtsman, mosaicist and designer of stained glass. His work vividly illustrates the principal issues of Florentine art during the first half of the 15th century. Trained within the tradition of the Late Gothic style, he eventually became a leading exponent of the application of linear perspective based on the mathematical system established by Filippo Brunelleschi and Leon Battista Alberti. It is the merging of these two diametrically opposed tendencies that forms the basis of Uccello's style. As well as painting on panel and in fresco
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UCCELLO, Paolo Clock with Heads of Prophets oil painting


Clock with Heads of Prophets
1443 Fresco, 470 x 470 cm
Painting ID::  51011 		UCCELLO, Paolo
Clock with Heads of Prophets
1443 Fresco, 470 x 470 cm
   
   
     
UCCELLO, Paolo Noah's Sacrifice and Noah's Drunkenness oil painting


Noah's Sacrifice and Noah's Drunkenness
1447-48 Fresco, 277 x 540 cm
Painting ID::  51012 		UCCELLO, Paolo
Noah's Sacrifice and Noah's Drunkenness
1447-48 Fresco, 277 x 540 cm
   
   
     
UCCELLO, Paolo byttare,slaget vid san romano oil painting


byttare,slaget vid san romano
mk248 san romano var ursprunglign ett verk tre pannaer pa uppdrgn av buset di mrfivi. detta ar del av den bogra pannan som visar bur florentinarna 1432 baren fean sienna. perspektiv forkortningen vdllade tvekinde tveklost uccllo vissa estetiska problem ocb ljus ocb skugga kravde battre bantering. men de subtilt fargade monstren av lansar, bjalmar ocb scb scbabrak ovanfor en skog av basban ar sig en bebaglig design som bekeaftar uccellos osvikliga oga for de minta dekorativa detaljer.
Painting ID::  56677 		UCCELLO, Paolo
byttare,slaget vid san romano
mk248 san romano var ursprunglign ett verk tre pannaer pa uppdrgn av buset di mrfivi. detta ar del av den bogra pannan som visar bur florentinarna 1432 baren fean sienna. perspektiv forkortningen vdllade tvekinde tveklost uccllo vissa estetiska problem ocb ljus ocb skugga kravde battre bantering. men de subtilt fargade monstren av lansar, bjalmar ocb scb scbabrak ovanfor en skog av basban ar sig en bebaglig design som bekeaftar uccellos osvikliga oga for de minta dekorativa detaljer.
   
   
     
UCCELLO, Paolo sankt goran och draken oil painting


sankt goran och draken
mk248 uccello berattar bistorien om sankt goran pa sant gotiskt mamer. den tappre riddarens linjerar med det bakomliggande ovdersmolen, nagot som skulle kunna signifiera gudomlig intervea. samtidigt skjuter lansen framat. in i bildplanet ocb bjalper till att etablera ett tredimensionellt utymme runt viket den eleganta ungmon. som inte langre ar i nod, planerar att leda den besegrade draken liken likt en sallskapsbund.
Painting ID::  56678 		UCCELLO, Paolo
sankt goran och draken
mk248 uccello berattar bistorien om sankt goran pa sant gotiskt mamer. den tappre riddarens linjerar med det bakomliggande ovdersmolen, nagot som skulle kunna signifiera gudomlig intervea. samtidigt skjuter lansen framat. in i bildplanet ocb bjalper till att etablera ett tredimensionellt utymme runt viket den eleganta ungmon. som inte langre ar i nod, planerar att leda den besegrade draken liken likt en sallskapsbund.
   
   
     
UCCELLO, Paolo Battle of San Romano oil painting


Battle of San Romano
mk250 about the year 1455. Wood color eggs, about 182.9 x 317.5 cm. National Gallery in London.
Painting ID::  56804 		UCCELLO, Paolo
Battle of San Romano
mk250 about the year 1455. Wood color eggs, about 182.9 x 317.5 cm. National Gallery in London.
   
   
     
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     UCCELLO, Paolo
     Italian Early Renaissance Painter, 1397-1475 Italian painter, draughtsman, mosaicist and designer of stained glass. His work vividly illustrates the principal issues of Florentine art during the first half of the 15th century. Trained within the tradition of the Late Gothic style, he eventually became a leading exponent of the application of linear perspective based on the mathematical system established by Filippo Brunelleschi and Leon Battista Alberti. It is the merging of these two diametrically opposed tendencies that forms the basis of Uccello's style. As well as painting on panel and in fresco

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